I was fortunate enough to see an advance screening of The Conjuring last night, and even though I promised never to write a movie review, I’m gonna do it anyway. Since the official release date is July 19, I’ll do my best not to ruin it for you.
Basically, I think I may have witnessed the birth of a classic – the kind of paradigmatic film people recommend 40 years later for all the right reasons. The Exorcist and The Sixth Sense” immediately come to mind, and that’s some pretty lofty company. The Conjuring was just that good for me. It’s one of the best directed films I’ve seen in years, and the lack of CGI effects make the experience even more faithful to reality. Every technical aspect seemed wonderfully flawless to me, and the cast was perfectly selected, but that doesn’t explain why this movie works so well. That comes from its honesty, because this film tears right through your soul.
If you’re a fan of Ed and Lorraine Warren, and who isn’t really, Patrick Wilson and Vera Farmiga do them proud with sensitive, realistic performances that can only add to the Warren legacy. And Lili Taylor was spectacular in my opinion. She righteously communicated the most difficult range of emotions to translate on film – that of growing, gripping fear, without any reliance on melodrama or forced reaction. For my money, Ms. Taylor may have turned in the best performance of her career – never over the top, but always on the edge. The entire cast was impressive, and they did it the hard way, with an obvious dedication to character and old-fashioned acting.
Unlike most modern films, The Conjuring doesn’t try too hard. Theres no window dressing or useless frills; no assaultive shock-value or cheap thrills; no bullshit paranormal mumbo-jumbo – just an unassuming but astonishing story that feels completely genuine every second of the experience. Of course there are moments sprinkled throughout the film that make you jump, but they’re natural without ever being obvious. And The Conjuring certainly doesn’t tone down the creepiness factor, but it never seems forced.
This is basically a throwback film in that it doesn’t rely on gimmicks, illogical horror, or gratuitous violence. Instead, The Conjuring commits to quality of story and just the perfect amount of suspense to seamlessly lead you down the same terrifying path of no return the Perron family is forced to endure. You share their anguish, feel their indescribably damaging and hopeless terror, and suffer every excruciating second along with them. But this film succeeds where so many others fail because it rises above the nonsense and makes you a true believer. I don’t think I spent a single moment questioning either its authenticity or plausibility.
The Conjuring is just very good filmmaking – possibly great. Certainly it is near the top of its genre. This is a must see, and well worth the trip to the theatre. This is what “the movies” are all about.
Also visit Voices Unplugged at http://voicesblogunplugged.wordpress.com/
Voices From Forever by Randall Keller http://goo.gl/ZBBmj Available on Amazon
There Is No Silence by Randall Keller http://goo.gl/U6KY7 Available on Amazon.